Small Crime: A Spoonful of Murder by Robin Stevens

In this sixth book in the young adult "Murder Most Unladylike" series, we're finally allowed to see Hazel Wong's home and family, as she and her best friend and fellow sleuth Daisy Wells travel to Hong Kong after Hazel's grandfather has passed away.

But the first thing that greets the girls upon their arrival is Hazel's newborn brother Teddy, and his arrival has turned everything in the family upside down. This affects Hazel's standing in the family, as previously she was the eldest child but now is "only" the eldest girl.

However, that's not the only thing upsetting the status quo - since Hazel's grandfather is now gone, her father is the new head of the family, and he has a much more modern outlook on things which annoys and/or upsets several people among the family's friends and acquaintances.

And then when Hazel's infant brother is due for a doctor's visit, he is kidnapped, the accompanying maid is murdered, and there seems to be no lack of suspects... one of whom is Hazel herself!

This is another enjoyable instalment in this rather excellent series. We've previously talked about Robin Stevens introducing different GA tropes in her books, and this could be called an example of the "mystery in an exotic setting". Purely plotwise, there's nothing here that's entirely new, unlike previous books, where we've had impossible murders, focus on reconstructions of the crime and elimination of suspects, and so on and so forth. This is more a distilment of the things we've already seen.

Instead, what's new here is the setting, which affects both our sleuths in different ways. Daisy has to adjust to the fact that Hazel is now the more important person of the two and that her title is fairly meaningless to the people in Hong Kong. Meanwhile, Hazel is at the same time both more confident because she is at home in Hong Kong, and less confident because of the new arrival in the family and also because of the experiences she's had while living far away from home and their effect on her outlook at things.

This introduces a somewhat different dynamic to our pair of intrepid detectives. At the same time, Daisy is still the same person as always: blunt and courageous and clever and impetuous. May she never change!

I guess as a consequence of the Hong Kong setting, we have to make allowances for the Chinese Triads getting involved in the investigation. Fortunately, they're used in a fairly atypical way, which means that at least I wasn't too disappointed. But I suppose that's another mystery trope that's explored a bit here...

One thing that could have improved my reading experience was if the sequence where young Teddy is kidnapped and his maid is murdered had been retooled into an impossible crime situation. It wouldn't have taken much to create that appearance. On the other hand, I suppose that would have taken time from other aspects of the plot and the setting that Stevens wanted to explore here. It's not a big thing for me, just something that immediately struck me while I was reading.

As for the investigation and the denouement, I think this was one of the better books in the series. We're still following a similar structure to the previous novels where the young ladies eliminate one suspect after another. Some of the things that they use to eliminate suspects work better than others, but on the whole I think Wells & Wong (and Stevens, of course) do well here.

There's also a bit of a twist - for want of a better description - towards the end which I thought was handled well and elevated the story above the average of this series. Hazel and her father also reach a new understanding as the case wraps up, and it will be interesting how this plays out over the course of the rest of the series.

This is highly recommended, though I do think that this series should be read in order. There are no mystery spoilers between the different stories, but we get to follow the development of the main characters over several years here. And more importantly, all of the books are at least above average, so do read them all!

Murder at the Manor (ed. Martin Edwards)

In my last post on a Martin Edwards edited anthology, there were a lot of country house murders. However, I can promise there will be even more of those in this one!

This is another anthology centred around a setting, rather than a plotting genre. Again, this will undoubtedly make the stories a varied bunch. Otherwise, Edwards uses the same set-up as always, some famous authors and some less well-known ones, ordered in a roughly chronological order.

So let's move along and see how this one compares with the previous anthology.

Arthur Conan Doyle - The Copper Beeches

Sherlock Holmes gets a visit from a young woman who's been employed as a governess, but her employers are giving her increasingly strange instructions on how to dress and look. She is feeling more and more uneasy, and Holmes agrees to investigate her case.

Like the previous collection, Edwards finds a great Doyle story to start this anthology off. It's one of my favourite Sherlock Holmes stories. It's hardly fair play, but as I've said before that hardly matters when Doyle is firing on all cylinders.

Dick Donovan - The Problem of Dead Wood Hall

At a dinner party at the Tranklers' manor, one of the guests walks out into the garden where he is later found dead through poisoning. A few years later, Trankler's son dies during a hunting party in the same gardens. And then the rumours start spreading...

This wasn't the best of stories, to be honest. It's a bit too reliant on shocks and thrills and is also very 1800s in its style. Again, not a fair play story, but unlike Doyle, Donovan doesn't have the panache to hold my interest.

E. W. Hornung - Gentlemen and Players

Gentleman thief Raffles and his friend and accomplice Bunny are invited down to Milchester Abbey to play cricket against some local teams, with the secret motive of stealing some jewels. However, it turns out that the police are on the trail after other prospective jewel thiefs, making Raffles' coup more dangerous.

So, yet another story that is not really a mystery, just an adventure. It's fairly amusing and zips along quite nicely, though.

W. W. Jacobs - The Well

A young man is threatened and blackmailed for a large sum of money, but resorts to murder to escape his tormentor.

This is even less of a mystery, simply a kind of psychological thriller with some horror elements. Not my type of story at all.

G. K. Chesterton - The White Pillars Murder

Two clever young men join the celebrated Dr. Adrian Hyde in investigating a murder where a man has been bludgeoned to death and then ended up floating in a lake. They are both sent down to White Pillars, while Dr. Hyde acts as an armchair investigator.

Well, this is a bit more like it. The ending is quite good, though I must admit I was always suspicious of the person who turned out to be the culprit.

Ernest Bramah - The Secret of Dunstan's Tower

Bramah's blind investigator, Max Carrados, is asked to come down to Dunstan's Tower by Dr. Tulloch, an old friend of his. It appears that there is a haunting attached to the Aynosforde family, and Dr. Tulloch held a nightly vigil by the haunted staircase yet did not notice how a pool of blood could appear there.

Bramah can generally be relied upon to provide proper mysteries, but this is not much more than a Gothic horror story. At least Carrados works out part of the solution from clues provided. The best thing about it I can say is that it's not the worst story so far in the collection, but it is quite possibly the biggest disappointment.

J. S. Fletcher - The Manor House Mystery

An elderly gentleman has been killed in the titular Manor House. The detective on the case gets visits from several of the people involved in the case, each of them proceeding to tell their part of the story.

A somewhat differently structured story from one of the biggest names in the field before Christie and Sayers started writing. I can't say that I found the structure all that successful. The reader can hardly be expected to solve it from the clues provided. Interesting, but flawed.

J. J. Bell - The Message on the Sun-Dial

A ne'er-do-well has been misusing his cousin's name and forged his checks and is therefore prompted to leave the country by that gentleman. Instead, he decides to kill him, and does so in the cousin's garden. Unfortunately, there's a dying message left by the unlucky man...

Well, this has a couple of things against it already from the start: it's got a very similar plot to a previous story (though it flips who is the culprit and who is the victim), and it's also an inverted mystery story. The dying message itself is fairly easy to see through - in fact, so easy that the author only allows the characters to read it out aloud to begin with. It's not a bad story, but I'm not particularly happy with the anthology this far.

Sapper - The Horror at Staveley Grange

Several male members of a family have died suspicious deaths, while sleeping in the same room, and Ronald Standish is asked by a friend of the wife of the next in line to take a look at the case.

So, written by a fairly hokey writer, with a hokey title and, as you see, a hokey plot. And yet... it's not all that bad, to be honest. It's rather too similar to a couple of Sherlock Holmes stories, though, but it's an okay impossible crime by an author who you'd never expect to write something of that ilk.

Anthony Berkeley - The Mystery of Horne's Copse

A young man sees his cousin lying dead on the road while walking home at night, but it turns out that the cousin is alive and well in Italy. But then he sees the cousin dead again... and again. All signs point to him being afflicted by some mental disorder, but his wife believes in him and asks for Roger Sheringham's advice.

This is by far the longest story in this anthology, close to novella length, but it's also a very good one. Yes, the plot is not that hard to see through, but Berkeley still manages to keep the reader guessing about several plot points. Finally a really strong story. The only drawback was that I had read it before...

James Hilton - The Perfect Plan

Sir George Winthrop-Dunster attracts the ire of his secretary, and the latter crafts a perfect plan to murder him.

Another non-mystery, this is one of those Francis Iles "anatomy of murder" things. Well-written, but again, not my cup of tea at all.

Margery Allingham - The Same to Us

There's a weekend party at Molesworth House, with the guests invited by the lady of the house. Unfortunately, during that weekend her jewels are all stolen.

This is not much more than a humorous vignette, probably all written to be able to use that final line... One has to wonder what happened to poor young Petterboy. A fairly amusing tale, but this anthology is truly scarce on meatier material.

E. V. Knox - The Murder at the Towers

Mr Ponderby-Wilkins is found dead, hanging from a tree at his enormous estate, and inspector Blowhard is brought in to investigate the case.

Now, this may just be my favourite tale in this anthology. It's an out and out parody of real country house mysteries, but since there is such a paucity of such stories here, this gets even better. And the best thing is, the reader only needs to read the first two paragraphs to see whether this is something for them.

Ethel Lina White - An Unlocked Window

Two nurses are in a remote house, taking care of an old professor who is suffering from gas-poisoning. Unfortunately, there's been reports of several nurses being killed in the county...

White is a good writer, but a good writer of stories I don't care for. It doesn't help that I immediately saw through what was going to happen - it felt much too obvious.

Nicholas Blake - The Long Shot

Nigel Strangeways is a guest at Gervase Musbury's place, and while there some of the guests watch as others shoot arrows towards the sky while the sun is sinking. But when the final arrow is fired off and falls down towards the earth again, it strikes a tree and Gervase falls down from it - dead from poisoning!

This is a fine little tale, not too long but does exactly what it sets out to do. Finally a fair play plot for the reader to try to play along with.

Michael Gilbert - Weekend at Wapentake

While handling a case of a husband and wife who have died, lawyer Henry Bohun is intrigued by some old notes of a previous death in their family. He contacts the old man who had written those notes and gets to hear a tale of murder.

Not a bad story at all, there's both a fair play plot and a bit of a sting at the end. Gilbert can generally be relied on for good story-tellling, and this is certainly no exception.

Conclusion

Well, this wasn't the best anthology for me, I'm afraid. There's way too few fair play stories, and too many stories that belong to other crime genres. The few real mysteries there are, are generally good. And most of the good stuff comes towards the end, which makes me remember the book a bit more fondly than I'd otherwise do, so I guess that's something in its favour.

But on the whole, I just thought there were too few "true" country house murders here.

On In Search of the Classic Mystery Novel The Puzzle Doctor liked this a bit more than I did, though he had some reservations.

Aidan's review over on Mysteries Ahoy is very thorough, and we seem to have similar reservations, though we aren't always in complete agreement on which stories are the better ones.

Silent Nights (ed. Martin Edwards)

"Silent Nights" is the first of - so far - three Christmas/winter mystery anthologies by Martin Edwards in the British Library Crime Classics series. In general, all of the anthologies in the BLCC series have a very similar structure. Almost entirely by British authors, ordered more or less chronologically, some big names mixed with some more unknown quantities. In this particular volume, the former are represented by such authors as Sir Arthur Conan Doyle, G. K. Chesterton and Dorothy L. Sayers, while people like Ralph Plummer, Marjorie Bowen and Joseph Shearing were less known to me beforehand.

As most will agree, anthologies are almost by design a mixed blessing. How much the reader will enjoy depends on what direction the editor has chosen when selecting the stories. My own opinion is that I like anthologies to be assembled around a plotting theme (impossible crimes, cozies, fair play mysteries, spy thrillers, adventures, etc.), because then you will have a certain inkling what the stories will contain. And also be able to give a pass to those collections that feature genres of less interest...

I get more wary when the anthologies are not, because then anything can be featured. I mean, just the presence of snow in a story is no indication that I will enjoy reading it (lex "The Mystery in White"). This wariness is somewhat mitigated when I know that the editor is a seasoned one and can be relied upon to bring in at least a couple of really good stories, no matter what. And as this is the case with Martin Edwards' work, I go into the reading of these anthologies with a certain optimistic mindset. Was that justified in this case? Well, read on...

Arthur Conan Doyle - The Blue Carbuncle

This is probably as safe a start to a Christmas mystery anthology as you can get. It is one of Doyle's more famous Sherlock Holmes stories wherein he is investigating how a valuable gem ended up inside a goose that was left behind in the street after an altercation.

My own opinion is that the Holmes stories aren't generally the best mysteries, but they are great stories. This is a wonderful read and does at least feature some investigation, though it all whizzes by a bit too quickly for the reader to be allowed to sleuth along.

Ralph Plummer - Parlour Tricks

This is a tale where several people are forced to spend Christmas indoors at an inn because there has been a robbery and no one is allowed out, and they amuse themselves with conjuring tricks and so on.

The most obscure tale in this collection, it's also quite fun. I must say, however, that there are indications that show why it seems the author never continued his writing career, because there are several things that are never told in the story, but later turn out to have a large importance to the final revelations. For example, we never actually get to know why everyone is forced to stay inside the whole time until our detective tells us who the criminal is. And also, during the first trick where one of the guests is blindfolded and led around the room until he finds a hidden object, we are never actually told what he is supposed to be looking for... But still, a fun read, and with some editing this could have been a good impossible crime story.

Raymund Allen - A Happy Solution

Kenneth Dale has come to visit Lord Churt at the latter's country house, where his fiancée Norah has been staying. He has brought along a letter from Norah, and when he opens it a thousand pound note falls out of the envelope. Everyone assumes Norah stole it, but Kenneth with some logical reasoning finds the true culprit.

A good knowledge of chess will help the reader who wants to solve the mystery, but this is a clever tale and one of the highlights of the collection. My main complaint is that it was very hard to divine the relation of Dale's fiancée Norah to the owners of the country house.

G. K. Chesterton - The Flying Stars

Flambeau tells us the tale of his final crime, wherein he managed to steal the "Flying Stars", a set of three diamonds, during a matinée performed at a country house.

There are just a bit too many things that go unexplained until the final Father Brown explanation of the whole thing, but otherwise, this is one of Chesterton's better stories. It's just not a perfect mystery.

Edgar Wallace - Stuffing

A bit of a trifle where several criminals are all out to steal money from Lord Carfane.

To call this a mystery is a misnomer. However, it's still a fun story to read, as all the coincidences pile up and everything - well, almost - turns out all right in the end.

H. C. Bailey - The Unknown Murderer

Bailey's detective Reggie Fortune often handles cases involving children, and this is yet another one of them. A female doctor is found with her throat cut and later on the suspicion falls on a Captain Warnham, who was a guest in the house at the time, and who has a step-son who falls very ill...

Bailey's stories involving children are often quite powerful, and this is not bad at all. The villain of the story is quite diabolical. I do think it's fairly obvious to spot the baddie, but Fortune is a nice acquaintance in the short story format, though his mannerisms make him less tolerable in larger measures.

J. Jefferson Farjeon - The Absconding Treasurer

As the title intimates, the treasurer of the Slate Club has vanished, and with him a large sum of money. But when detective Crook begins investigating, he finds that there may be more to the story than appears...

Compared with Farjeon's novel "The Mystery in White", this is more of a regular mystery. It's pleasant enough, but I think most seasoned mystery readers will see through the plot fairly quickly.

Dorothy L. Sayers - The Necklace of Pearls

Lord Peter Wimsey is guesting at Sir Septimus Shale's Christmas celebrations, and while they are enjoying the regular parlour games, the latter's daughter notices her pearl necklace missing. Lord Peter is asked to investigate so police won't have to be invited and cause a scandal.

Interestingly, this is in fact an impossible crime, though no one seems to have noted it as such. And it's quite a pleasant one to boot. I won't say that it'll cause any great "aha" moments, but Sayers weaves a robust plot around the disappearance, and it's certainly one of the better tales of this collection. I will probably include this in my own collection of impossible crime stories.

Margery Allingham - The Case is Altered

Another country house mystery, this time it's Albert Campion who is invited to spend the Christmas holidays Sir Philip Cookham's place. There are some shenanigans with government papers that go missing and several young foolish people doing their young foolish things.

That description may look a bit condescending (well, a lot condescending), but I actually enjoyed this story a whole deal. It's not much of a mystery, and if there had only been one or two more pratfalls this wouldn't have been out of place in a P. G. Wodehouse collection. But I enjoy Wodehouse, and as long as the reader doesn't go into this story with high expectations I'm sure they will enjoy it.

Ethel Lina White - Waxworks

A young female journalist has decided to take it upon herself to sit in a waxworks over the night because lately two people have died there while spending the night.

This story belongs to the suspense genre, which is one of my least favourite mystery sub-genres. It's effectively written and a reader who enjoys this type of tale will almost certainly find it a highlight, but I was quite bored with the whole thing.

Marjorie Bowen - Cambric Tea

A doctor is called to a bedridden old man who tells him he is certain that his wife is trying to poison him. Things get more complicated when it turns out that the doctor and the wife were well acquainted in younger years...

Another story that is hardly a mystery. It's quite reminiscent of some of Agatha Christie's early romantic short stories. And not particularly interesting to me.

Joseph Shearing - The Chinese Apple

A middle-aged woman has returned to London from Italy to take custody of her niece, since her sister recently died. They meet in a house where it's reputed that strange things have been happening.

Shearing was another penname for the author of the previous story, Marjorie Bowen, which makes the placement of this story a bit bewildering. It also doesn't help that again it's hardly a mystery at all, which is further compounded by it being dull as dishwater, making it three stories in a row that bring the momentum of the anthology to a screeching halt.

Nicholas Blake - A Problem in White

A train has got stuck in the snow and the people of one compartment start discussing among themselves how to best bring about a train robbery, as you do. One of them feels insulted and decides to move to a different compartment. And some time later he turns up dead...

Well, after those three duds, it's rather wonderful to arrive at this story, which is a definite highlight of this anthology. This is a proper mystery, fairly clued and all, and ends on a challenge to the reader. Top stuff from Blake.

Edmund Crispin - The Name on the Window

Previously discussed in this post.

Leo Bruce - Beef for Christmas

Beef and his narrator Lionel Townsend are invited to a - you guessed it - country house, where an old man has been receiving anonymous letters. Since he is known for spending his money lavishly, something his heirs resent, there is some cause for alarm. And then death strikes among the guests...

I really should start reading more from Bruce. This is a very good little mystery, almost an impossible crime in its simplicity. There's just one misdirection here, and if the reader sees through that, they should spot the culprit fairly easily, though. Still, a very good read, ending this collection on three high notes in a row.

Conclusion

This anthology confirms what I said above in the introduction - if it isn't curated around a specific plotting genre, it tends to be very uneven in what it offers. The main problem comes by placing the White, Bowen, Shearing stories next to each other, because they are quite similar and belong to the same sub-genre. By breaking them up, people who like me who are thoroughly bored by these kinds of stories wouldn't lose steam so completely in the third quarter of the book.

But on the whole this must be called a good anthology, because apart from those three stories I had some good fun here. And there are definitely quite a few great tales here. And the best ones are placed at the very end, which leaves an extra good impression on this reader.

If you're looking for other opinions on this anthology, Kate was very complimentary on her blog crossexamingcrime. Read more here.

Meanwhile, over on In Search of the Classic Mystery Novel, the Puzzle Doctor had some reservations but still recommended it.

And on A Perfect Locked Room the Dark One was quite impressed with the whole thing.

Small Crime: Mistletoe and Murder by Robin Stevens

I'm going to be branching out ever so slightly by discussing young adult mystery novels here on the blog. They may not be short, but they are quite sweet!

This is a genre that is fairly overlooked in the blogosphere with mainly my good friend J. J. over on The Invisible Event returning to his wonderful Minor Felonies posts with some irregularity. (To be honest, TomCat has also been discussing this genre - mainly in the form of the classic Three Investigators series).

It may not be the most attention-drawing type of literature, and like comics, there is probably a mental block in many adults who dismiss this as "something for the kids". Which of course in a way it is. But there is lots of good work being done in the genre, and it's always a pleasure when you can point out gems, no matter what genre you've found that diamond in.

For my first post on this subject, I am going to write about the fifth novel in the ongoing A Murder Most Unladylike series, written by Robin Stevens, which is called "Mistletoe and Murder".

As you may recall, the estimable J. J. and I discussed the previous novel in the series ("Jolly Foul Play") on his site just the other month. If not, click here to read up on that discussion. There, we theorised that Stevens is approaching each instalment in the ongoing series as a way to implement and feature a particular trope of Golden Age Mystery fiction. I'm glad to say that this theory holds water with this fifth novel.

Because, as you can probably infer from the title, this is a Christmas mystery. But not only that - it is also a university/college mystery, set as it is in Cambridge in the mid 1930s. Hazel Wong, our narrator, and her best friend Daisy Wells (also the president of the Detective Society) have been invited to celebrate Christmas with Daisy's brother Bertie, who is studying in Cambridge.

Stevens gets a lot of mileage out of this setting - most of the action takes place in the fictional Maudlin college where Bertie lives, along with several mates. There's the twin brothers Donald and Chummy Melling, their on and off friend Alfred Cheng, and also their history don, Michael Butler.

We're also allowed to mingle with various other Cambridge residents, for example Daisy's great-aunt Eustacia Mountfichet and female student Amanda Price. But most of all, Daisy and Hazel get a chance to finally meet - and match wits with - their rival detective society The Junior Pinkertons, George Mukherjee and Alexander Arcady.

In fact, when Daisy and Hazel first come to Cambridge, we find out that Donald - who in just a few days will inherit a large fortune - has been very accident prone. It is generally assumed that most of these accidents are just that, accidents. Even though his brother Chummy - who is one of those awful people that for some reason authors try to convince their readership that the other characters enjoy the company of - is known for being a prankster.

However, both the Detective Society and the Junior Pinkertons smell something fishy, and they decide to enter a wager to see who can get to the bottom of the whole thing first. Unfortunately, the very next night Chummy is found dead, having fallen down a flight of stairs because he tripped over a fishing line that had been set at the top of the stairs.

So now instead our rivalling detectives have a real crime to investigate! Which just a day later becomes two crimes...

I'm happy to report that this is a clear improvement on the previous book in the series, which was a breezy read but had some serious problems in its handling of the mystery, where the final culprit seemed to be rather pulled out of a hat. We have a tiny whiff of that here as well, but in this case Stevens manages to eliminate suspects one by one by having her detectives investigate clues and talk to the persons involved. The main problem here is that the suspects that are eliminated are the bit players, and we're left with just the two main suspects.

And since everyone except Hazel suspect one of those suspects over the other, this kinda means that all us savvy readers will know that it's person no. 2 who is the bad guy. But at least Stevens then provides a couple of clues that point definitely to the killer.

The denouement is handled fairly well - there's some real excitement in the final action sequence. We get explanations for why other characters acted suspiciously, and they also fit with the overall story. So, all in all, this was a very pleasant read, and I'd probably rank this as no. 2 or 3 in the series. (Best is "First Class Murder", and this one is tied with "Arsenic for Tea".)

As this is written in the 2010s, there's quite a lot of pages devoted to things that matter to a modern audience. Hazel's point of view is quite interesting, seeing that she is an outsider in the English society - both because she's female and because she's from Hong Kong. In this novel she also gets to appreciate that other people have the same outsider position - Bertie's fellow student Alfred Cheng, for example, who like Hazel is from Hong Kong, not to mention George Mukherjee and his Indian heritage. Some of Hazel's and George's conversations (and perhaps even more what is NOT being said!) are quite poignant, and as a non-Englishman myself (though still a "Westerner") who is rather nonplussed by some of the quintessentially English behavioural traits I find a lot of things to agree with.

You may also recall from the discussion of the previous novel on The Invisible Event that I argued that Daisy Wells might well be on the autistic spectrum. I feel quite vindicated in that belief by her characterisation here. It's quite clear that she operates on a different level than most other people - though she is quite delighted (and challenged!) by meeting George Mukherjee, a young man with fairly similar characteristics.

If you're looking for a modern mystery with clear GA influences and are willing to dip your toe in the Young Adult genre, I don't think you can find many better books to read than these ones. I recommend it wholeheartedly. There is certainly some continuity between the novels in the series, and none of them are bad reads, so if you can see yourself commit to the series, then by all means read them in order. But otherwise, this works perfectly fine as a standalone novel.

And by the way, my copy contains a short story featuring two of Hazel's and Daisy's classmates on their own Christmas adventure. But this story is also included in the collection "Cream Buns and Crime", so it's a bit superfluous here...

Minor Felonies on The Invisible Event

Things have been quiet here lately, but I'm happy to announce that over on the blog The Invisible Event, blogger extraordinaire J.J.and me have a discussion on the young adult mystery novel, "Jolly Foul Play" by Robin Stevens. If you haven't already seen this post, please head over there now and read our thoughts - they should be of interest even if you are not a reader of young adult mysteries. Click here to get to the blog post in question.

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As I said, things have been quiet here for some time, because I've been quite busy in my life away from mysteries - so busy that I've had no time for writing up reviews of new short story collections that I've read; in fact so busy that I've read fewer such collections than I'd like!

Anyway, I hope that I'll have more time on my hands as the new year rolls along, because I do have a couple of collections and anthologies that I'd like to discuss here. Fingers crossed that those distractions, called Real Life, will have less of an impact in the coming weeks and months!

Being published - some shameless self-aggrandizing

What do you know, folks? I've finally been published!

Well, yeah. It's not as exciting as all that, but my fine friends over at Swedish publishing house Deckarhyllan have finally published "De försvunna fotspåren", a translation of Carter Dickson's "The White Priory Murders", which is a collaborative translation between me and Håkan Andersson, one of the two men behind Deckarhyllan.

The lovely naivistic cover of "The White Priory Murders"

Even more excitingly, the book also contains a translation of "Death in the Dressing-Room", one of Dickson's stories featuring Colonel March, which was translated solely by yours truly. The volume also contains an informative introduction by Swedish mystery aficionado Per Olaisen.

If you've a smattering of Swedish, do head over to Deckarhyllan's web site and have a look and why not order a copy? *wink wink* If you don't, then at least there's a pithy page in English.

Killer Queens - A Critical Look at the Established Periods of Ellery Queen

In this post I'm going to discuss the established convention of dividing the works of the Ellery Queen author partnership into four distinct periods. Quick version: There are some changes I would make to this convention.

Generally, there's no spoilers here, so have no fear of reading on even if you haven't read everything by Ellery Queen. On the other hand, this will probably be more appreciated by someone who has a certain familiarity with Queen's works.

As far as I know, it was esteemed EQ expert Francis M. Nevins who came up with the idea to separate the works of Ellery Queen in this way. Though I'm not sure where he did so - in "Royal Bloodline", his original critical work on the career of the EQ cousins, he refers to this division as if it is already established. So possibly it came from some earlier publication that I don't have available to me.

No matter. The four periods of Queen are established as follows.

Period One (1929 - 1935)
Includes all novels from The Roman Hat Mystery to The Spanish Cape Mystery, and all short stories from The Adventures of Ellery Queen and two of the stories from The New Adventures of Ellery Queen ("The Adventure of the House of Darkness" and "The Lamp of God").

Period Two (1936 - 1940)
Includes all novels from Halfway House to The Dragon's Teeth and the remaining short stories from The New Adventures of Ellery Queen.

Period Three (1942 - 1958)
Includes all novels from Calamity Town to The Finishing Stroke, and all short stories from Calendar of Crime and Q.B.I., three stories from Queen's Full ("Diamond's in Paradise", "The Wrightsville Heirs" and "The Case Against Carroll") as well as some stray short stories published in QED and Tragedy of Errors ("The Lonely Bride", "Eve of the Wedding", "Object Lesson", "No Parking", "No Place to Live", "Terror Town", "Miracles Do Happen")

Period Four (1963 - )
Includes all novels from The Player on the Other Side to A Fine and Private Place, as well as the outline Tragedy of Errors and all the remaining short stories from Queen's Full, QED, Best of Ellery Queen and Tragedy of Errors. (To be absolutely correct, it actually leaves out three short stories which were published between 1958 and 1963...)

So, what's my opinion on this division? One early observation is that while the division works fine for the novels, it is already flawed since it rather arbitrarily separates short stories - and doesn't even take into account a couple between Periods Three and Four. But let's do this chronologically and start with Period One.

Period One

Some of the main characteristics of this period, according to Nevins, are - obviously - the similarity of the titles, with their recurring adjectives of nationality. Each of the novels is also described as a Problem in Deduction. In Period One, there is an overpowering, but also over time declining influence from S. S. Van Dine's Philo Vance stories. Ellery the character is academic, spouts classical allusions and wears a pince-nez.

If we take a quick look at the short stories, they also have a common title pattern - all are "The Adventure of the..." - and since all the short stories were written fairly late in the period they already feature some of the later First Period Queen traits, with a somewhat more humanised detective.

As Nevins puts it: "for those who don't like First Period Queen, these novels are sterile, lifeless, relentlessly intellectual exercises, technically excellent but unwarmed by any trace of human character nor by any emotion other than the 'passions of the mind'." Meanwhile, those who are more fond of this period see these books as "splendid tours de force of the artificer's art and are nowhere near totally devoid of interest in human character or concern with fundamental issues".

To be honest, I don't have much to say about this period. I agree almost wholeheartedly with Nevins' classification here. I belong to the second group referred to by Nevins above (those who love Period One), but at the same time I can certainly see some of the problems with these works. There's just one thing I'd like to change here, but we'll leave that for...

Period Two

If we move on to the Second Period of Queen, what will we find here? Well, this is the romantic, "Hollywood" era of Queen. The novels are glossy and shiny, Ellery the character is almost shuffled into the background and could be any faceless detective. In each novel there is a romance, and two of the novels (The Door Between, The Dragon's Teeth) has a second detective who generally gets more of the spotlight than Ellery himself, while the other two novels are actually set in Hollywood with a couple of recurring characters. There are also some elements of screwball comedy.

The bulk of the short stories from Period Two are the four that were originally published in Blue Book (Man Bites Dog, Long Shot, Mind over Matter and The Trojan Horse), all featuring Ellery's romantic partner Paula Paris and each one focusing on a specific sport. All four fit perfectly with Period Two.

But here is where I have one major objection, and it concerns the division between periods One and Two. Nevins has placed it between 1935 and 1936, while I would argue that it's better placed between 1936 and 1937.

And why? Well, take first the novel Halfway House, published in 1936, and therefore belonging to Period Two according to Nevins. In my opinion, there are two things, and two things only, that would place this novel in the Second Period. The first is the obvious one - the title. As anyone can see, it doesn't follow the pattern of "The [nationality] [thing] Mystery". However, in the preface to the novel, even Ellery Queen the character himself argues to good old J. J. McC that the story might has well been called "The Swedish Match Mystery". The second thing that sort of qualifies it for Period Two is the fact that there is a three-way romance, quite similar to the ones that appear in particularly The Door Between but also to some extent in The Four of Hearts.

Everything else about Halfway House, however, would qualify it as a Period One novel, though obviously one belonging to the later stages of this era. This applies both to content, since Ellery is still the main character in the centre of the mystery and there's still a focus on logic and deduction, and to the novel's formal appearance. Halfway House is still called a "Problem in Deduction", it features the usual foreword with J. J. McC and it has the Challenge to the Reader.

But this is not the only advantage of moving the dividing line from 35/36 to 36/37. Another thing is that it better takes into account the short stories of this time. Because moving this dividing line means that we'll get another two stories moved from Period Two to Period One: "The Adventure of the Treasure Hunt" and "The Adventure of the Hollow Dragon". Immediately, you'll see that the naming convention still exists for these two stories - the same "The Adventure of..." of the First Period. They are also both quite Period One like content-wise. In the first, there is full focus on the logical reasoning, while the second might have a certain romantic flair, but in no way as pronounced as in the "true" Second Period stories. And, as pointed out before, EQ does change over time already during Period One, so that we can see a certain transition is not particularly strange.

Admittedly, moving the dividing line still results rather arbitrarily in the short story "The Adventure of the Bleeding Portrait" (as you see, still with the Period One naming convention) ending up in Period Two. However, this story has several elements in common with the Second Period, mainly in the reduction of logic (to be honest, this might be EQ's most illogical story ever) and the played up romantical elements, so I think it's still correct to leave it in Period Two.

Period Three

Nevins describes this era as one with complex deductive puzzles, full characterizations and of course the essence of small-town America, also known as Wrightsville. As he puts it, in this period there was nothing Queen would not dare. If we take a closer look at the novels, there is the Wrightsville quartet (Calamity Town, The Murderer is a Fox, Ten Days' Wonder and Double Double), there's the Cloudcuckootown There Was an Old Woman, a psychological serial killer study (Cat of Many Tails), a return to Hollywood in The Origin of Evil, the experimental phantasmagoria The King is Dead, the Nikki Porter novel The Scarlet Letters, two novels without Ellery the character - the non-series The Glass Village and the kinda-in-series Inspector Queen's Own Case - and finally the bookending The Finishing Stroke with its constant referrals to the time of Period One.

There's also a large amount of short stories - there's everything in Calendar of Crime (based on original radio scripts) and QBI (short "fun-and-games" stories). Then there's also a handful of stories collected elsewhere, most of them similar to QBI's very short stories, and four of them with an internal collective theme of urban problems and decay. As with the novels, the short stories of Period Three are bookended with a very special novella, "The Case Against Carroll" - again one can sense that the Queens were considering finishing their career with these two fine works.

But this is also the main problem with the definition of this period - it's kinda all over the place. There's hardly anything in common between these stories that applies to at least most of the others. Instead, I'd argue that Period Three should be divided into two parts, say Period 3A and 3B.

3A would consist of the four main Wrightsville novels - there's a section of The King is Dead (as well as the much later The Last Woman of His Life) set in Wrightsville, but I do not think they belong to the main Wrightsville narrative. (There's also quite a few short stories set in that very same town, and these fit in much better with recurring characters and at least vague referrals to previous stories set in Wrightsville.) To those four novels, I would also add Cat of Many Tails, which while it does not take place in Wrightsville exists very much in the same universe. Events in Ten Days' Wonder affect the content of Cat of Many Tails profoundly.

3B would then be everything else. It does create a chronological problem with There Was an Old Woman, which appeared quite out of context between books one and two of the Wrightsville chronicle. However, it has nothing at all in common with those books and doesn't really seem to exist in the same continuity. These other stories still don't have much in common with each other, except maybe for the fact that they are out of continuity with everything else.

If we for instance take a look at the Nikki Porter stories (There Was an Old Woman, The Scarlet Letters and all twelve tales from Calendar of Crime), it's quite obvious that there is no inner continuity between them. In fact, Nikki's origin story varies between them. As for The Origin of Evil and The Finishing Stroke, both of which take an earlier part of Ellery's life and makes it an important part of their own story (the former being a return to the Hollywood of Period Two and the latter being the story of a case set in the very earliest parts of Ellery's career), they are not consistent with those earlier stories. I think there might be one recurring Hollywood character in The Origin of Evil.

By the way, I mentioned above that the final two stories of the Third Period (The Finishing Stroke and "The Case Against Carroll") could be seen as the end of EQs career. This is also indicated by the fact that it took five years before the next novel was published. I'd also posit that it's quite possible that the Queens (or at least one of them) might have tired of writing about Ellery the character, since there are three stories from just before these two final Period Three stories that do not feature Ellery at all - apart from the two novels mentioned above, there's also the short story "Terror Town" (which has several similarities to the novel The Glass Village).

Period Four

Characterised by Nevins as continuing the radical experimentation of Period Three while retreating from naturalistic plausibility, and using repetition and references to earlier motifs and plots, this is also quite a sprawling era for the Queens. Personally, I'd also add the fact that several of the novels here feature other authors than the Queen cousins. (I won't use the term "ghost writer", because I don't think it fits when one of the cousins was still responsible for the entire plot, and both of them were responsible for the final editing of the whole thing into a published work).

One good thing about splitting Period 3 into two different parts is that the Fourth Period becomes more of an extension of 3B. Because these stories are almost as diverse as that bunch. There's the megalomaniacal character studies (The Player on the Other Side, A Fine and Private Place), the religious phantasmagoria And on the Eighth Day, the film tie-in A Study in Terror, two more straightforward GA style mysteries (The Fourth Side of the Triangle and Face to Face), an attempt at bringing Wrightsville back in The Last Woman in His Life, and an attempt to retcon Inspector Queen's Own Case into the Ellery canon with The House of Brass. Oh, and then there's the hard-boiled, non-Ellery Cop Out.

The short stories of Period Four (and let's add those stray three stories that appeared between 1958 and 1963 to this period, shall we?) are also all over the place. There's a further dozen of the "fun-and-games" type stories we got in QBI, some of which feature the Mystery Club, and also a couple of longer stories set in Wrightsville.

You know what, if it weren't for the five year break for the novels, I don't think it's possible to see any big distinction between the later parts of the Third Period and the whole Fourth Period. Perhaps we should keep four periods, but instead move everything that I classified as Period 3B into Period 4. Because they actually have more in common with each other (by not having anything in common with each other) than 3B has with 3A - the latter of which actually has an internal continuity and a clear progress between each novel.

If we want we can also separate the short stories - the "fun-and-games" short shorts, with their lack of characterisation and complete focus on a single problem that needs to be solved, could go into Period 4, while the longer stories, several of which are set in Wrightsville, could be shuffled into what I called Period 3A. Yes, this would mean that the division isn't based on chronology anymore, which might make it less convenient, but on the other hand I hope I've shown that Nevins old chronological divisions don't really work all that well either.

Opinions?

If you've made it this far, I'd like to hear your opinions. Do you prefer Nevins' original four periods, or am I actually on to something here? Or perhaps you have your own preferred way of separating EQs works in separate parts?